http://spaz.org/taxonomy/term/216/0 en http://spaz.org/node/787 <div class="event-nodeapi"><div class="event-start"><label>Start: </label>10/13/2007 - 9:00pm</div></div> <div class="event-nodeapi"><div class="event-end"><label>End: </label>10/14/2007 - 4:00am</div></div> <p><span style="font-size: 9pt; font-family: Verdana"><br /> <div style="text-align: center"><a href="http://www.audiosect.org/" class="bb-url"><img class="bb-image" src="http://i64.photobucket.com/albums/h186/kcmo17/ScorpionRitual-neg01-WWW.jpg" alt="" /></a><br /><span><span style="font-family: Arial Black"><span style="font-weight: bold"><br /></span></span></span></div> <p></span> <p><span style="font-weight: bold">JASON SUBHEAD</span> **North American Exclusive** 2-Hour Live Hardware Set<br /><span style="font-weight: bold">PONGOID</span> (SPAZ, IOT, k.Ktus) [live hardware]<br /><span style="font-weight: bold">EATS TAPES</span> (Tigerbeat6, Community Library) [live hardware]<br /><span style="font-weight: bold">FOREST GREEN</span> (Cute Things With Fangs, Daly City Records) [live/dj]<br /><span style="font-weight: bold">MOSONIK</span></p> <p><a href="http://spaz.org/node/787">read more</a></p> http://spaz.org/node/787#comment family party psychedelic rave subhead techno Thu, 26 Jul 2007 15:52:58 -0700 MoSonik 787 at http://spaz.org http://spaz.org/node/658 <p>This paper was originally presented by <a href="http://www.shrumtribe.com">tobias v</a> as an informal talk at the Rebelstar Activist Retreat, Crescent Beach, BC, Canada on November 26th, 2001. (<a href="http://www.shrumtribe.com/text/musikalresistance01.htm">http://www.shrumtribe.com/text/musikalresistance01.htm</a>)<br /> <br /> <p style="margin: 0pt; text-indent: 0pt; line-height: 100%; word-spacing: 0pt" class="MsoNormal"><u><strong>Musikal Resistance: A Short History (I)<br /></strong></u> </p> <p style="margin: 0pt; text-indent: 0pt; line-height: 100%; word-spacing: 0pt" class="MsoNormal"><strong>History.</strong> </p> <p>Rave Culture began at the juncture of several political social movements. </p> <p>i) Jamaican Dub Soundsystem Culture of the 70s/80s<br />ii) UK Traveller Culture (ex-hippies); Punks; New Agers; also a centuries old tradition of Carnival on the Common Lands<br />iii) Austin, Texas, 1986: the impact of Ecstasy<br />iv) Continuation of Chicago Disco into house music; the rise of gay culture and the Funk Movement<br />v) Detroit: the artistic-social backlash to the failed modernist city-project resulted in Detroit techno and rap.<br />vi) The late 80s in the UK saw the rise of Acid House music (Chicago house with a 303 overtop, the combining of Chicago dance culture with UK rebellion), which took on new social importance due to its context: “dj’ed,” on turntables, mixed by djs with pitch controls (this is a new thing!), in illegal spaces: occupations of warehouses, farmlands, public and private spaces. </p> <p style="margin: 0pt; text-indent: 0pt; line-height: 100%; word-spacing: 0pt" class="MsoNormal">In the UK and in North America, the theories of anarchist Hakim Bey came into prominence. Bey was highly influenced by French theorists Gilles Deleuze and Felix Guattari, who were active as radical professors during the May 68 revolution in France. Bey took the theories of Deleuze and Guattari, along with a bunch of others including Fourier, William Burroughs, and many anarchists, and turned them into two main (for the point of this lecture) practical ideas.</p> <p><a href="http://spaz.org/node/658">read more</a></p> http://spaz.org/node/658#comment anarchy essay rave reclaim the streets TAZ Mon, 05 Mar 2007 01:33:55 -0800 pedalnoise 658 at http://spaz.org